So. I’ve been working on other things lately, hence the scarcity of
blogging, and this bookshelf update will be a short one. I’ve just
finished a couple of books, and I thought that I would mention them,
just to get the fingers moving
Carnival by Elizabeth Bear.
I liked Blood and Iron and The Chains That you Refuse, but I have
to admit that I stalled out on Worldwired. I’ll finish it
eventually, but in the meantime, I decided to pick up Carnival, to
see what Bear can do in a more free-wheeling science-fictional mode.
The setting is in a pretty grim far future, where AI overlords
unleashed by the far left have turned Earth into a pretty nasty place
to live, where the unfit are Assessed, which is to say, instantly
killed and recycled by their implants. All of this is somewhat
peripheral to the action, though, at least as it concerns the story as
it happens. It speaks pretty deeply to the character’s motivations,
but it isn’t really the interesting part of the story, so I won’t much
discuss it here.
The meat of the action involves two long-separated lovers, two
homosexual males with names so distressingly long that I imagine Bear
just typed VK and MKJ and searched and replaced them when it was time
to submit the manuscript. They’re sent there on a mission by the
powers that be on Earth to the deeply self-consciously named
New-Amazonia, where women rule, men are chattel, etc. The
world-building is pretty intense in places, but it’s somewhat uneven.
Since our perspective is mostly (there’s a third, native, viewpoint
character, but she doesn’t get as much time at the fore) outsider, we
don’t get a whole lot of a feel as for what it’s like to be one of
these people, with their starkly different mores and strange culture,
and the carnival that names the book is strangely distant, essentially
Mardi-Gras, and we never really get a feel for it. Those caveats
aside, the main characters and what they’re doing are richly drawn and
sharply plotted, and the sex scenes are lightly handled enough that
they won’t squick anyone who doesn’t already have deeply seated
issues. I thought that the ending was a little rushed, but overall I
would recommend the book, and continue to look forward to Bear’s
forthcoming work.
The Android’s Dream, by John Scalzi.
I enjoy Scalzi’s work, to an extent, although I think that his main
line of novels lack some of the moral heft that I feel they should
have, considering their subject matter. Also, I admit to some bigotry
for SF that’s over-focused on planets, as Scalzi’s tends to be. But
that’s neither here nor there. They’re quick and fun and breezily
written with a sharp eye for human foibles and the humor inherent even
in dark moments, of which there is no lack.
This book was lighter even than most of his others, though, and I came
away a little bit unsatisfied. There were a few reasons, one of which
is that the book hinges pretty strongly on some unlikely elements,
like a race that relies on top down computer control of every little
thing allowing another species entirely to design them a computer
system to help do that work, and no one ever trying to hack or subvert
it, or even get overly familiar with it. I didn’t really ring true.
Also, the idea that in hundreds of thousands of years of galactic
history, the idea that no one, ever, before humanity, would bother to
try simulating a brain on a computer, it kind of absurd. Most of this
takes place off-screen, so it doesn’t directly detract from the book,
but they subtly undermine the impact of the resolution, which counts
against it in the end.
The book is short, which I applaud in a non-snarky way, and it stands
alone, which is also admirable. The characters are fun and
interesting, although the main character is too much the self-effacing
competent man to ever really come into his own as a character. The
book moves along briskly, touching lightly on the emotional resonances
of war and people’s general inability to deal with it after the fact.
Overall, it’s more fun than anything else, and it doesn’t strive to be
much else than fun. You could fault it for that lack of striving, I
guess, but it would make you ill tempered and blind to many things.
The Jennifer Morgue, by Charlie Stross.
Another one in the tradition of The Atrocity Archives, this time a
take of Ian Fleming’s James Bond books. Unfortunately, perhaps since
the Fleming books are worse than the source material for the books
that inspired Archives, this book, while interesting, hews perhaps
too close, and gets too self-referential, which takes something out of
the enjoyment, in the end. If you’ve read Archives (I suggest that
you do, if you haven’t), you might be disappointed by this one, as I
was, a little. Still fun, but I have the feeling that Charlie has a
crackerjack book in this series that will out-shine these first two
entries by an order of magnitude. Charlie is pretty good at his
worst, and astonishing at his best. This is a pretty good book, which
means that I enjoyed it, but it doesn’t really live up to the
unfiltered Stross experience which I’ve come to expect.
Latro in the Mist & Soldier of Sidon, by Gene Wolfe.
Oh wow. I don’t know if I’ve mentioned it, but Gene Wolfe is far and
away one of my favorite authors. It is unlikely that I will ever
escape from his influence in my own writing, although I could never
hope to produce things as powerful. In these books, Wolfe follows a
Roman soldier in Greece and later, Egypt, who has suffered a head
wound and cannot remember for more than twenty four hours at a time.
Thus he must write down everything in order that he might remember.
The metafictional conceit here is that Wolfe has been given the
scrolls by a friend to translate them, something similar to the
metanarrative that enclosed the Book of the New Sun, although in those
books, the narrator, Severian, has eidetic memory. There are a great
many things that I would like to say here, but there’s so much to
unpack, just from the one set of books, much less the two of them
taken together. I might be here all night, and there are other things
that I need to do. Just go out any buy them. Wolfe is our greatest
author. You should have read them already. I should have read them
already, but it’s better late than never. You might hold off on
Sidon if you’re averse to a story left unfinished. The writing is
brutally beautiful, no one makes it felt like Wolfe.